The Romantic Era of the Arts from the mid 18th Century to the mid 19th Century was inspired by the ideals of a lost ethical ancient science. Its leaders were concerned that humans had deviated into being governed by a lifeless mechanistic culture. The philosopher of science Wolfgang von Goethe considered that Isaac Newton had betrayed the science of colour to reduce all to a black and white mechanistic reality. Goethe’s linguistic colour perception theories were revived in 2012 as a book of the year ‘Through the Language Glass’, written by the linguist-physicist Guy Deutscher. However, few people are aware that in fact, Isaac Newton actually refuted the idea that the mechanical theory of the universe was complete and that like the Romanticists, he had derived this opinion from the same lost ethical science.
The work of other poets and artists during the Romantic Era that had attacked Newton for having a science derived from a clockwork description of a mechanical universe has now been linked to important DNA discoveries and the issue has become a crucial human survival one. It is an outstanding achievement that in 2017 the World Fund for Arts in Russia has taken upon itself to rejuvenate the Science-Art ethos belonging to the Romantic Era of yesteryear.
Newton’s mathematical genius supported a more profound description of the universe than that of a lifeless mechanistic cosmos. Science, economics and religion approved of the mechanistic model, the basis from which a false quantum mechanics was derived by teaching that Newton’s world-view was mechanical. Both political and commercial science, together with religious persuasion gained control of our unbalanced modern science. Along with the scientists, religious institutions were in denial that the living process evolved to infinity, evoking religious laws to enforce their opinions. The lost ancient ethical science could not come into its own until the time for knowledge about living human DNA arrived. It is now possible for quantum mechanics to be made complete by researching its entanglement with the science of quantum biology.
Arthur C Clark’s television documentary ‘The Colours of Infinity’ was about Benoit Mandelbrot’s discovery of infinite fractal mathematics. Within the documentary a comment was made that the evolution of civilisation was not included in the purpose of an infinite universe. The reason for that is because prevailing science is governed by the ‘Universal Heat Death Law’, which states that all the heat of the universe is going to radiate away into cold space and eventually all life in the universe must become extinct.
History’s most famous mathematician, Georg Cantor was also history’s most despised mathematician for daring to challenge the global scientific death cult. His declaration that a dysfunctional fear of infinity had infected the minds of modern age scientists created an international scientific and religious furore. World famous mathematicians, strongly objecting to such a pronouncement, joined together to savagely condemn his concept that the life force process could be evolving toward infinity. Influential religious leaders were enraged that Cantor’s mathematical conviction overturned their …